manufacturer
Fujifilm Film Looks
Cool shadows, minty greens and pale skin — plus the in-camera simulations that carried it into digital.
Fujifilm spent seventy years designing emulsions before it designed sensors, and it chose the opposite corner of the colour space from Kodak: shadows lean cyan, greens push toward mint, skin stays pale rather than golden. Velvia made it the landscape standard, Pro 400H made it the wedding standard, and the X-Trans film simulations made it the only camera manufacturer shipping its own colour history in firmware.
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34 looks in this selection
Fuji 160C
Fuji's neutral 160-speed professional negative — cooler and flatter than Kodak's equivalent.
4 renderings
Fuji 3510 Print
Fuji's cinema print stock — cooler and greener than Kodak's equivalent.
3 renderings
Fuji 3513 Print
A contrastier Fuji print stock.
3 renderings
Fuji 400H
The discontinued cult wedding film: cool, minty greens and pale, airy skin.
4 renderings
Fuji 800Z
Fuji's fast professional negative: cool, grainy and surprisingly clean in mixed light.
4 renderings
Fuji Astia 100F
The soft slide film — made specifically so slide contrast would not destroy skin.
2 renderings
Fuji FP-100C
The last peel-apart colour film in production — cooler and cleaner than Polaroid's.
21 renderings
Fuji FP-3000B
Very fast peel-apart black and white film with striking contrast.
14 renderings
Fuji Neopan 1600
A fast Japanese emulsion with tighter grain than its western rivals.
5 renderings
Fuji Neopan Acros 100
Fuji's fine-grain film, famous for having essentially no reciprocity failure.
1 rendering
Fuji Provia 100F
The neutral Fuji slide film: accurate colour, fine grain, high but controlled contrast.
2 renderings
Fuji Provia 400F
The predecessor to 400X — flatter and more neutral.
1 rendering
Fuji Provia 400X
Fuji's fast slide film, with more saturation than Provia 100F.
1 rendering
Fuji Sensia 100
The consumer version of Provia — the same family, milder and cheaper.
1 rendering
Fuji Superia 100
The slowest Superia: the same green-forward palette with finer grain and more contrast.
4 renderings
Fuji Superia 1600
Very fast consumer negative — heavy grain, compressed colour, strong night-time character.
4 renderings
Fuji Superia 200
The everyday drugstore Fuji look: bright greens, cool shadows, cheerful contrast.
1 rendering
Fuji Superia 200 X-Pro
Cross-processed Superia: green-cyan shadows and bleached, contrasty highlights.
1 rendering
Fuji Superia 400
The workhorse consumer Superia — green-forward colour with usable grain at ISO 400.
4 renderings
Fuji Superia 800
Fast consumer Superia: grainier, contrastier, still unmistakably green-cool.
4 renderings
Fuji Superia HG 1600
An earlier high-speed Fuji emulsion with coarser grain and cooler colour.
1 rendering
Fuji Superia Reala 100
Fuji's fourth-layer emulsion, built for accurate colour under mixed and fluorescent light.
1 rendering
Fuji Superia X-Tra 800
The surviving fast Superia, built around Fuji's fourth-layer technology.
1 rendering
Fuji Velvia 100
A faster, slightly tamer Velvia with a cooler bias than the original 50.
1 rendering
Fuji Velvia 50
The most saturated colour film ever widely sold — the landscape photographer's signature.
1 rendering
Fuji X-Trans III Acros
Fujifilm's premium monochrome simulation, with optional colour filters.
4 renderings
Fuji X-Trans III Astia
The soft simulation, modelled on Astia — gentle contrast for portraits.
1 rendering
Fuji X-Trans III Classic Chrome
Fujifilm's documentary simulation — muted colour and hard shadows, evoking Kodachrome.
1 rendering
Fuji X-Trans III Mono
The standard monochrome simulation, also available with colour filters.
4 renderings
Fuji X-Trans III Pro Neg Hi
The higher-contrast Pro Neg variant for location portraiture.
1 rendering
Fuji X-Trans III Pro Neg Std
A flat, neutral simulation modelled on professional portrait negative film.
1 rendering
Fuji X-Trans III Provia
Fujifilm's standard digital film simulation — the neutral baseline for X-Trans III cameras.
1 rendering
Fuji X-Trans III Sepia
A toned monochrome simulation with a warm brown cast.
1 rendering
Fuji X-Trans III Velvia
The high-saturation simulation, modelled on the Velvia transparency film.
1 rendering