comparison
Agfa Vista 200 vs Fuji Superia 200
The two great cheap films, and their opposite biases.
The same photograph, same exposure, both looks at full strength. See the untouched original.
The difference
For twenty years these were the films in every chemist and supermarket, and they pull in opposite directions. Vista leans magenta and red with comparatively weak greens; Superia leans green and cyan with cool shadows. Put a red jacket in front of both and the difference is immediate. Neither is neutral and neither was trying to be.
Which to use
Agfa Vista 200
Warm, red-forward, European snapshot colour.
Fuji Superia 200
Cool, green-forward, the 1990s holiday photograph.
Side by side
| Agfa Vista 200 | Fuji Superia 200 | |
|---|---|---|
| Type | colour negative | colour negative |
| Maker | Agfa | Fujifilm |
| Speed | ISO 200 | ISO 200 |
| Produced | 1990s–2018 | 1998–present |
| Renderings here | 1 | 1 |
| Download | .cube | .cube |
Try Agfa Vista 200 on your photo → Try Fuji Superia 200
A comparison on somebody else's reference photograph only tells you so much. Both of these render on your image in the tool, alongside the other 294.