comparison
Fuji Neopan Acros 100 vs Kodak T-Max 100
Japan or America, at ISO 100.
The same photograph, same exposure, both looks at full strength. See the untouched original.
The difference
Acros renders slightly cooler and crisper with exceptional highlight separation; T-Max is a touch warmer and more linear. The real difference on film was reciprocity — Acros could hold a two-minute exposure with almost no compensation, which no other film here can claim, and that made it the night and long-exposure film. As a look, Acros reads cleaner and more clinical.
Which to use
Acros 100
Cool, crisp, architectural. Night and long exposure work.
T-Max 100
Warmer neutral tone and a slightly gentler highlight roll-off.
Side by side
| Fuji Neopan Acros 100 | Kodak T-Max 100 | |
|---|---|---|
| Type | black & white | black & white |
| Maker | Fujifilm | Kodak |
| Speed | ISO 100 | ISO 100 |
| Produced | 2001–present | 1986–present |
| Renderings here | 1 | 1 |
| Download | .cube | .cube |
Try Fuji Neopan Acros 100 on your photo → Try Kodak T-Max 100
A comparison on somebody else's reference photograph only tells you so much. Both of these render on your image in the tool, alongside the other 294.