comparison
Fuji Velvia 50 vs Kodak Ektachrome 100VS
The Kodak–Fuji divide, at maximum volume.
The same photograph, same exposure, both looks at full strength. See the untouched original.
The difference
Both are high-saturation slide films and both clip highlights hard, but they push opposite parts of the spectrum. Velvia drives greens and reds — foliage and sunsets become emphatic. Ektachrome 100VS drives blues and cyans — water, sky and shade go deeper. Run the same photograph through both and the entire Kodak-versus-Fuji argument becomes visible in one comparison.
Which to use
Velvia 50
Forests, autumn, golden hour, anything warm.
Ektachrome 100VS
Coastline, sky, snow, anything cool.
Side by side
| Fuji Velvia 50 | Kodak Ektachrome 100VS | |
|---|---|---|
| Type | slide | slide |
| Maker | Fujifilm | Kodak |
| Speed | ISO 50 | ISO 100 |
| Produced | 1990–present | 1990s–2000s |
| Renderings here | 1 | 2 |
| Download | .cube | .cube |
Try Fuji Velvia 50 on your photo → Try Kodak Ektachrome 100VS
A comparison on somebody else's reference photograph only tells you so much. Both of these render on your image in the tool, alongside the other 294.